Think nothing can scare you? Enter dekePod, that thing that is not even slightly scary and yet, be honest, gives you the heebie jeebies. In this episode, Deke investigates how to simulate an extreme-detail HDR portrait -- which would otherwise require you to shoot multiple exposures of a person locked down in a body brace -- using flimflam and forgery. And a shrunken skull. These are the depths of scariness we go to. Here at dekePod.

Ben McMillan has been a working photographer in Beijing for more than four years. During that time, he's seen the city go through dramatic changes, leading up to the Olympics. In this conversation, Ben talks about his Beijing experience, and how he also went through a personal change when he discovered Aperture during the games.

As tiny as a pocket voice recorder but packing full-resolution WAV audio, the half-inch-thick Yamaha Pocketrak breaks new ground in sound and portability. Is this thumb-size studio right for you? Mark Nelson flips it open at an acoustic jam to find out.

What makes Smart Objects in Photoshop CS3 so compelling to power users? Derrick Story wanted to get the inside scoop on non-destructive tools, so he sat down with Photoshop expert Deke McClelland to find out how Smart Objects can improve his photography workflow. This interview was recorded at Photoshop World in Orlando during the Spring of 2008.

September 23 marks the announcement of Adobe's Creative Suite 4. And that means a new version of the company's flagship image editor, Photoshop. Coming just 18 months after its predecessor, is Photoshop CS4 any good? Enter dekePod, Deke McClelland's irreverent and uncensored video series. Day and date with Adobe's announcement, Deke provides a third-party, impartial, and highly opinionated review of the new software. Titled "Photoshop CS4: Buy or Die," this episode promises to show you all facets of the program—complete with commentary—without interrupting your busy day. In just five minutes, you'll know whether you want to upgrade or not. Either you buy or it dies, it's as simple as that.

In pop music, the beat is the foundation. And one of the fastest, easiest ways to build a beat is with a drum loop. But don't just settle for the loops everyone else is using. Jim Aikin demonstrates a variety of ways to customize beats in GarageBand and other drag-and-drop music programs.

Mine Kasapoglu photographed her first Olympics in 2002 at Salt Lake City. She's been shooting them ever since, including this year in Beijing where I caught up with her for this interview. Mine was first introduced to Aperture at the 2006 Torino Olympics. Nobody really knew about Aperture then, including Mine. But she was in great photographic pain and gave it a try. Here's her story two years later.

Sean Duggan is an art photographer, educator, and Photoshop expert. He's recently teamed up with Katrin Eismann to publish The Creative Digital Darkroom. In this interview Sean talks about his approach to processing images and how to get the most out of digital capture.

Your videos got their 15 minutes of fame on YouTube. Now what? Follow this straightforward intro to RSS syndication and you can make your videos downloadable, savable, and playable on the millions of iPods out there.

In this episode, Deke makes the startling claim that Illustrator, a complex piece of software that costs hundreds of dollars, is better than an $8 Spirograph. Using nothing but half an ellipse and a few live, editable effects, Deke shows you how to construct something truly extraordinary. "Trust me on this one. Artist, non-artist, proficient with Illustrator, never even heard of the program -- I don't care if you live in Antarctica, you have no access to electricity, you haven't seen sunlight in 45 days -- oh my God, what are you, a penguin? -- you're gonna wanna watch this!"

Composer Steve Horowitz has written soundtracks for movies, dance, video games, TV, live orchestra, and even computerized piano. Now comes the world premiere of his multimedia extravaganza Invasion from the Chicken Planet, and New York City may never be the same.

Earlier this year Apple shipped Final Cut Server, its media asset management and workflow automation solution. Unlike Final Cut Pro and the other creative applications bundled in Final Cut Studio, Final Cut Server is not a content creation application. In fact it's something quite different: a powerful server-based solution for managing media and assisting users with tools to automate time- consuming pieces of your workflow. Charlie Miller explains how.

The Kodak Picture of the Day has been an Olympic tradition for decades now. While I was in Beijing, I had a chance to sit down with Rich Connolly, Director of Olympic Operations for Kodak, to talk about how the Picture of the Day came about, and the behind the scenes process for its daily selection during the Games.

Want to play MP3s on your site (or others')? Here's a super-easy way, an easy yet highly customizable way, and an offbeat experimental way — and each one is free. From one-click page-hacking to automatic e-commerce, these three web audio players point the way to a musical online future.

Have you ever wanted to stretch a photo's background but leave the foreground unchanged? Or turn a horizontal photo into a vertical one without making a mess of it? You can't do it in Photoshop CS3, but you can in its companion program, Adobe Illustrator. Deke shows you how in a way that'll make you so happy, you'll think you're on drugs. And wait till you see the new look! Deke is dreamy.

Aperture's previews are an important link to sharing your images with the outside world. Previews are JPEG renderings of your processed Raw files and, once generated, are easily accessible via other applications and output methods. In this screencast, Derrick Story shows you how to expertly manage your previews so you are always in control of your images.

Vincent Versace, noted photographer, author, and photography instructor, sits down with Derrick Story to discuss the some of the larger philosophical questions that inform the photographic creative process during this video interview from Photoshop World Orlando.

Portable recorder expert Mark Nelson tests version 2 of the popular MicroTrack and R-09 recorders side by side at his Hawaiian guitar camp. Were the upgrades worth it? Listen to his exclusive audio examples and find out.

Color models like RGB and CMYK are frightening enough on their own. But the fact that there's one called CIEL*a*b* D50 (or just Lab), and Photoshop actually encourages you to use it, is terrifying. But Deke says not to worry. RGB and CMYK are for machines. The Lab mode is for you.

PictureCode has released Noise Ninja for Aperture, and it's the latest in the series of Edit Plugins that expand Aperture's image editing abilities. In this podcast, Derrick Story talks with Joe Schorr about Noise Ninja, and about the new plugins resource page on Apple's web site.

On August 4, Derrick Story is boarding a plane to Beijing to work in the media center at the Summer Olympics. In addition to his job of helping photographers get their images out to the world, he'll be blogging, podcasting, and tweeting, not to mention capturing his own Olympic images. In this interview, Dan Brodnitz asks Derrick how he's preparing for this assignment.

In this video interview, Stephen Johnson talks about his seminal work, On Digital Photography, the evolution of digital cameras including how megapixels fit into that picture, and provides some great advice on how to best display your work. It's a terrific chat that I think you will enjoy.

Lift and Stamp in Aperture is a tremendous time saver when you want to apply image adjustments or metadata to multiple images. In this movie, Derrick Story shows you how to take advantage of this power, plus a shortcut you can apply directly from the keyboard.

Lightroom 2 is brimming with enhancements for all its modules. Derrick Story interviews Tom Hogarty and Frederick Johnson to find out their favorite features in this latest release of Adobe's comprehensive photo management application. Tom and Frederick share plenty of insights and helpful tips to help you quickly get up to speed.

Imagine yourself walking down a lovely San Francisco street, whistling a merry tune, only to be confronted by the sudden appearance of a menacing robot packing a shockingly massive and entirely unnecessary... ray gun, of sorts. What would you do? If you were Deke, you'd snap a picture and correct its colors. And not in any standard way, either, but in a way that permits you to apply radical color adjustments while leaving a virgin-like histogram in your wake.